Showing posts with label Lou Reed. Show all posts
Showing posts with label Lou Reed. Show all posts

Monday, 6 February 2017

Three

The picture? Well, what's wrong with bunnies? I know it'll make MrsRobster go all gooey. Anyway, it's not the fact it's bunnies that's significant, but how many bunnies there are.

This week marks the third anniversary of Is This The Life?, which is a bit of a surprise. I didn't think it would still be going. If I'm being totally honest, I'm really not sure how much I have left in me, but that might just be my current ongoing less-than-happy mood talking.

Regardless, I ought to say thanks for bothering to stop by and read the words, play the tunes, leave the comments and all that. So thanks. No, really, it means a lot. I dont know what else to say, so let's have some music.

The very first thing I posted here was a Velvet Underground track. Today, I'm going to give you something else by the late, great Lou Reed. Modern Dance featured on his 2000 album 'Ecstacy', one of my fave Lou solo records. This live version was recorded in Dusseldorf that same year and is from a superb bootleg I have.


One of the blog's biggest focuses is on the music of Wales. So here's one of the bands who featured in my Welsh Wednesday series, The Earth, who feature a couple of Super Furry Animals like so many great things in life.


And to round things off, another of the blog's favourite bands with a fitting track to mark its birthday. I just wonder how the boy Gedge managed to keep a straight face during this video...



Wednesday, 25 June 2014

Memories of Glastonbury: 1992


It’s the mother of all music festivals this week, and to mark the event I present a special daily offshoot of my memorable gigs series featuring the standout moments of the four Glastonburys I attended in the early 90s.

The 1992 festival was not just my debut Glastonbury, but my first ever festival – and what a way to start. Blistering sunshine throughout and some extraordinary live shows.

Primal Scream
If I had to name the best act I ever saw at Glastonbury, I would be really torn between two or three, but the Scream would be right up there. Their 1992 headline performance pretty much summed up the time and the scene. Indie kids and ravers mingled as one to witness what must rate as one of the most stunning live performances of all time. Surely no guitar-oriented indie-rock band could transform so suddenly and so effectively into a dancefloor-filling electronic act and slay a crossover audience of thousands in just a single festival show. But Primal Scream did it with ease, playing pretty much the whole of ‘Screamadelica’ and not much else. There were no calls for older material or fan faves – everyone got exactly what they wanted from the Scream that night and more besides. A seminal moment in the festival’s history in my book, and I was there. Mind well and truly blown!

Soundtrack:

Don’t Fight It, Feel It [live] – Primal Scream (live in Tokyo)

Blue Aeroplanes
I wandered through the field in a daze while Blue Aeroplanes played. I caught the end of their set which involved not just the band but what could well have been the entire backstage crew as well, each playing guitar. A wonderful wall of guitar sounds washed over the crowd in one of the best climaxes to a live show I’ve seen.

Soundtrack:

The Boy in The Bubble [live] - Blue Aeroplanes (from ‘Fruit (Live: 1983-1995’))

Youssou N’Dour 
I first saw Youssou doing an instore show at HMV’s flagship store in London’s Oxford Street. It was such an uplifting experience, it resulted in me spending more than £100 on CDs! That’s what you call a sales tactic. Three years later, he headlined Glastonbury on the final night. The atmosphere was perfect; the sun was going down at the end of a scorching summer’s day and Youssou ran through another energetic set, with his incredible voice at the front of it all. Then, to round it off, he brought on a special guest – none other than Peter Gabriel. I was astounded enough, but the guy in front of me was going into meltdown, so overwhelmed was he by his hero making a surprise appearance. “Oh my GOD! Oh wow! Oh… my… GOD!” Such is the power of music, and it is always a delight to witness the joy it brings.

Soundtrack:



The Lion (Gaiende) – Youssou N’Dour (from ‘The Lion’)

Lou Reed
I wandered through the field in a daze while Lou played (hmm, sound familiar?). I stopped to watch him for 10 minutes or so, during which he did a divine rendition of Satellite Of Love, a song which still reminds me of Glastonbury.

Soundtrack:

Satellite Of Love [live] - Lou Reed (from ‘Rock 'n' Roll Animal [2011 re-issue]’)

Tom Jones
Everyone hoped for a hits-laden set to wriggle our hips provocatively to. Instead we got a pub-band set of soul standards that most people (myself included) got pretty bored with pretty quickly. Even so, being the last day of the festival, I did hope no one threw their knickers at him - he never deserved that…

Soundtrack:

Hard To Handle [live] - Tom Jones (from ‘Live in Las Vegas’)


Monday, 12 May 2014

So here’s to you, Mrs Robster

I suppose it was inevitable that when I eventually met the future Mrs Robster, it would be music that would bring us together. In our case, it was R.E.M.

I had the enormous privilege of seeing R.E.M. three times and each occasion has its significance. The latter two occasions were with Mrs Robster; at Cardiff Arms Park on the Monster Tour in 1995 and Earl’s Court in 1999. The Cardiff show is right up there in terms of significant moments in my life as it is how the Mrs and I met. Well, we had met previously in passing as I knew her mum through work, but this time I was asked if I would ‘look after her’ as she was going to the show with one of her friends. Being a mere slip of a girl, her mum wanted someone responsible to make sure she was OK. Obviously she couldn’t find anyone to fit the bill, so she asked me instead… A few months later, we went on our first date and we’ve never looked back.

As well as our mutual appreciation/devotion/obsession with Athens GA’s finest, we seemed to align musically in other ways too. She had Bowie and Police CDs and was rather accepting of my suggestions. I’ve already mentioned how the La’s album is one we hold dear for reasons I cannot divulge on a non-age restricted blog; ‘I Am The Greatest’ by A House was another big fave of us both. I made her a mix tape as all young lovers used to do, replete with sleeve notes. It might still be in a box here somewhere, but off the top of my head I recall it did have Satellite of Love by Lou Reed on it, Carole King’s Will You Still Love Me Tomorrow and I Don’t Like Mondays by the Boomtown Rats as it was the number one single the week she was born. I’ve always been jealous of that – no one can deny it beats Chirpy Chirpy friggin’ Cheep Cheep in every possible aspect!

Over our years together we’ve shared our musical loves and hates, though to be fair it’s more a case of she’s listened to what I’ve been playing and decided what she likes, what she doesn’t and what she cannot stand. She loves Pixies for instance (who we saw on our honeymoon, as relayed here), and Public Service Broadcasting, but cannot stand Cardiacs, Bjork or the Manic Street Preachers. I suppose I have to forgive her really, though had she taken a dislike to Pixies too I’m not sure we’d have lasted the 19 years we’ve stuck at it.

Or maybe we would have. It’s not all been about music, we’ve had all manner of ups and downs. The ups have been amazing, fun and unforgettable; the lows however have been rather devastating. Many relationships have fallen apart over far less. That’s what we hold dear. We’ve come this far even though we drive each other insane. When I think about what we’ve put each other through... yet she’s still my gig buddy. Yes, she was even with me when we saw the Manics last year. She watched them through gritted teeth, but never left my side, bless her.

This year marks our 10th wedding anniversary. Getting to the first was difficult enough – we’d already lasted almost 10 years as a couple by that point – so it’s really something to celebrate. Not sure how we’ll do that yet, but there’ll probably be some tunage involved (though likely not an airing of ‘A Little Man And A House And The Whole World Window’ unfortunately…)


Soundtrack:

Sunday, 9 February 2014

Foreword... and forward



The late great Lou Reed made a special series of shows for BBC 6Music in 2012, in which he boldly stated:

Lou Reed“Music changes your life; it changes everything.”

There are some people who cannot relate to this; most of these people I couldn’t care less about.  Music does change your life, and there is no doubt in my mind that it has continually changed, shaped and defined mine.

Back when I was a young boy, when I had to stand on the back of the sofa to reach my parents’ strategically-placed (away from small sticky fingers) record player, I fell in love with pop music.  Over the years, just as being in love with a person, there have been many highs and lows.  Periods of excitement, fascination, elation and joy often ran alongside phases of disappointment, frustration, despair and sorrow.  But I do believe that if any relationship can provide such profound feelings of pleasure and pain, it really has to be worth taking the knocks in order to enjoy the utter delight that ultimately results.

Thus when Abba broke up in 1983, while at the time it was hard to take, Frankie Goes To Hollywood were just months away from stealing my affections.  And though R.E.M. split in 2011, their best years were undoubtedly behind them, and if it hadn’t been for them my wife and I might never have got together in the first place.

Anyone who has truly loved music will share similar stories.  It really doesn’t matter what your preferred genre is either.  A music fan – a proper music fan – will appreciate music in all its guises, even if he/she doesn’t particularly like some of it that much.  It means something to someone.

I could talk about music for hours.  Days, weeks, months even.  If anyone cares to listen or take part, so much the better.  I often considered writing some kind of ‘music memoir’.  Then I thought ‘who the hell is interested in my self-indulgent gibberish?  Get a grip, man!’  When I read Giles Smith’s wonderful ‘Lost In Music’[1], I realised it had already been done in a far more eloquent and amusing manner than I could ever hope to produce.

I finally concluded that I should do it anyway, if only for myself.  I’m glad I did.  It has allowed me to reflect on a number of key moments in my life, some very influential people I’ve had the pleasure of knowing, some wonderful – occasionally hilarious – experiences and one or two not-so-pleasant times which have been quite difficult, though ultimately rather therapeutic, to write about.  The common link in all these things is music.  It has kept me going through all the good times, the bad times and the truly awful times.  It still does.

If you’re reading this and you’re not me, then I’ve decided to go public with the results.  What you see before you is my life in words and music, in numerous periodical installments.  It’s not meant to flow in any particular order or anything (though it is largely chronological); it’s mainly a series of short essays, reviews and similar articles.  Neither is it an autobiography, though I’m aware it reveals more about me than I might otherwise be willing to divulge.  I’m sure I’ve forgotten quite a lot of stuff, and some of what I’ve recalled may not be entirely accurate thanks to the passing of time. 

Music changed (and continues to change) my life, just as it changed Lou's.  Here's my story.  Whatever you make of it, thank you for bothering, I hope you enjoy it. 

Soundtrack: