Showing posts with label Big Moon. Show all posts
Showing posts with label Big Moon. Show all posts

Sunday, 11 December 2022

22 in '22 (part 2)


After last week's somewhat male-dominated selection, it's the turn of the ladies to shine. And yes, despite what some people might say - a transgender person who identifies as female is, as far as I'm concerned, female. So to anyone who wants to argue against one of these inclusions - don't bother; my blog, my rules and you're wrong!

 

EZRA FURMAN - 'All Of Us Flames'
While I've long been aware of Ezra, I've never really been grabbed by her music for some reason. All that changed this year with the release of her 9th (NINTH!) album, in particular the single Forever In Sunset which is right up there with my very fave songs of the year. It's a fascinating document of her fears and challenges - being a transgender, queer, Jewish woman - set to some of her most confident-sounding music to date.

 

KATY J. PEARSON - 'Sound Of The Morning'
Katy's second album continues the pop-folk sound of her debut, but with an extended pallette. She's branching out, though it's not obvious where she's going, so that's going to be a fun journey for those of us who love her. We caught her live in the autumn and she is every bit as good as a live perfromer as her records suggest. MrsRobster is a big fan of Talk Over Town, one of her fave songs of the year.

 

THE BETHS - 'Expert In A Dying Field'
This makes my rundown despite it being my least favourite record the Beths have put out to date. There's even a track I tend to skip on it. That said, the rest of it is strong enough to warrant inclusion as it seems whatever they do, they always manage to inbibe it with a great tune and excellent production (all their records are self-produced). I've already bought tickets for their Spring Tour next year.

 

THE BIG MOON - 'Here Is Everything'
Three albums in and the Big Moon are showing signs that they might just become rather huge in the not-too-distant future. Following their last record, Juliette Jackson had a baby and the result is an album reflecting on pregnancy, childbirth, fears, hope and unconditional love, though it's done in such a smart way that you can still take something completely different from each song.

 

PLAINS - 'I Walked With You A Ways'
You know how much I adore Katie Crutchfield (aka Waxahatchee), so I was eager to see what would result from her collaboration with a singer-songwriter I'm not familiar with, Jess Williamson. Fortunately, it's a gem. It's an unabashed, old-school country album, and a very good one. Both take lead vocals and songwriting duties, but they clearly work so well together, it seems such a shame they've already stated Plains is a one-off project. I'd love to hear what else they could come up with. Here's one of Katie's numbers.


Another five next week...

Saturday, 2 May 2020

The Lockdown posts: Alternative Kitchen Disco #4

...and the puns just keep on coming. MrsRobster's latest attempt at humour surprised me to say the least. The words, as you may know, come from Hello, Goodbye by The Beatles. Now MrsRobster is one of those strange people who doesn't get the Beatles. I put it down to being too young to appreciate them. So a Beatles lyric was unexpected, even moreso when you consider it's one of Paul's. Macca is MrsRobster's nemesis. She has this irrational hatred of the man. Yes, he's irritating; yes, he was only the third-best Beatle. But he did write Hey Jude and Band On The Run, so not all bad. Mind, he also gave us the Frog Chorus, so maybe she has a point...

Anyway, here's the latest instalment in my kitchen soundtrack this week. First up is 'Walking Like We Do', the new album by The Big Moon who we saw supporting Pixies last autumn. Now, it's not as good as their debut as they've gone all pop with lots of keyboards 'n' all. It's a bit hit and miss, often lacking the energy of their earlier work. But there is enough about it to make me play it a few times. A couple of tracks are actually very good, like this one which would be one of my singles of the year so far if it wasn't actually released last September. They missed the boat I reckon, this is a summer tune if ever I've heard one.



'Viscerals', the new album by the band with my most favourite name ever - Pigs Pigs Pigs Pigs Pigs Pigs Pigs - sees them expand their sonic range to new levels. The songs may be getting shorter (five of its eight songs come in at less than five minutes) but the ideas are bigger than ever. The ominous drones and slow, heavy riffs are still in abundance, but there's some thrash, punk, psych - think Sabbath meets Rollins and then some. Throw in lyrics containing social comment with a heavy dose of wit and you get this beast of a motherfucker! And I bought it on 'blood & guts' coloured vinyl too.



Another of my homemade playlists to finish off with. I have an evolving Best Of The Wedding Present, which initially contained 40 songs, and currently stands at 70. It has all the singles, plus various album tracks, b-sides, covers, radio sessions... all sorts of things. One of the most recent updates I made was to add this wonderful version of Bewitched to it. It follows the release of the Marc Riley Sessions Volume 4, featuring two performances they did on Riley's 6 Music show in 2017. On this occasion, they brought a full string section with them - and it sounds amazing!



At least another week or two of lockdown to go, so I suppose I'll be back next week. Maybe.